a5c7b9f00b Peter Parker is finally happy: he is doing well at the school, his girlfriend MJ Watson loves him and the whole city loves his crime-fighting alter-ego Spider-Man, finally bestowing upon him the praise he so rightly deserves. Apart from this, he has made some new foes and rivals . His former friend-turned-foe Harry Osborn has become the New Goblin and wants to avenge his father by killing Spider-Man. On one night, an alien symbiote from outer space crash lands in Peter's vicinity and attaches itself to his Spider suit, turning it black in colour and enhancing its powers. Flint Marko, a fugitive, is turned into The Sandman when he gets subjected to a molecular lab experiment. Incidentally, Marko is the person who is revealed to have killed Peter's uncle Ben and now Peter wants revenge. Peter's joba freelance photographer with The Daily Bugle is taken by Eddie Brock. Peter also learns that apart from enhancing his powers the black symbiote has also brought out the dark side within him which causes him to ruthlessly manages to throw Eddie out of his job. When MJ breaks up with him, he starts dating his fellow student Gwen Stacy who was Edie's ex, to make them both jealous. Soon Peter must decide whether he should let his dark side to dominate his personality or not.
Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibilitySpider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's personaThe New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also…himself.
We knew going in that there were too many heavies in this movie.<br/><br/>So it would likely flounder with set-up after set-up and reduce the screen time of the hero,was the case in the nineties Batman movies.<br/><br/>But instead I think this film weaves those stories and keeps them trim, perhaps even surpassing the way the X-man movies have balanced many diverse characters. <br/><br/>The complaints I've seen about amnesia being a plot point for Harry being soap-opera level. . .may be true but it is in this context more suspenseful and more playful. Many great epic movies on this scale get away with cute or cliché elements which would fall flat in a simple talking heads bedroom and boardroom filler program. Here what is at stake has huge implications and the struggles of Peter Parker are very amusing and unique to this premise.<br/><br/>In a perfect world, yes, I would remove Sandman mainly because his character is ambiguous and his resolution offers no clean closure. The Venom story has a more satisfying resolution. But what Sandman offers is thematic texture. Is it a cop-out that Sandy wasn't really responsible? Is the real theme, "Don't kill out of revenge because you might have the wrong man?" Or is there a built in comic book code that forbids a pro-revenge theme?<br/><br/>Ultimately, no matter how I try to shuffle the tiles playing the "Monday Morning Quarterback"many fans do, I see how Alvin Sargeant and the Raimi team had their hands full trying to incorporate Venom according to the wishes of Sony. That said, I never felt gee they are spending too much time on this or that the way I did watching Batman and Robin. They kept the scenes quick, and frankly I think this third film is every bitgoodthe previous two.
I can't say i didn't like this movie. I thought it was alright, but Sam Raimi owes me 5.75 for a movie ticket. I went in there with high expectations and I walked out disappointed. The movie was slow. it took roughly an hour before Spiderman got the black suit, maybe even more. And when he had it, we barely saw him in it. And Sandman has got to be the gayest villain ever. I went there cause I wanted to see Venom. Black suit Spiderman and Venom. Venom was barely in the movie. I'd say he was in there for like 30 minutes tops. And they killed him. What the hell? Venom cannot be killed with a god damn pumpkin bomb, thats bull*t. This movie could have been great. But it was hardly mediocre. So don't see this movie. If you really want to see it, rent it, or if you can't wait, stream it off the net.
This incarnation of Spider Man seems to forget that its source material was a comic book that wanted to transcend its genre. This is a movie that's content to be pretty good within its genre, with the main distinction of being much bigger than any of its competition.
Another answer can be like a reference to the 1994's Spiderman: The Animated Series, when he accidentally found the weak of the Symbiote in a fight with Shocker in the "The Alien Costume" saga. The answer is twofold; Eddie worked for the daily bugle and thus likely found out about Marko's escape and motivesthe bugle was covering it. He then bonds with the Symbiote which retains its memories of its time bonded with Peter including the fight in the subway. Eddie Brock Jr. could have been brought back for a sequel or spinoff (but hasn't and won't). Additionally, the Symbiote is still alive in a couple places—remember that Dr. Connors still has a piece of the Symbiote. It is widely believed that the Symbiote that Connors has will eventually bond with the yet-to-be-introduced character of Cletus Kasady to form Carnage,was the case in the comics that Carnage was created in Venom's wake. It was announced in July 2008 that there was Venom spinoff in early pre-production that would follow Spider-Man 3 (but seemingly it was cancelled with the discontinuation of the main movie series). Topher Grace possibly would not have returned for the role,there had been several other hosts to the Venom Symbiote in the comics that could be used in a solo film, including the short lived Angelo Fortunato, and the Scorpion aka "Mac" Gargan. Eddie Brock, meanwhile, had the bits of Symbiote left over in his blood bond to his white blood cells, giving him a new white Venom-like suit. Along with a more altruistic attitude, Brock calls himself Anti-Venom. A potential spinoff could have followed either of these plots. (Source: here.) Ultimately the fates of the characters in the Tobey Maguire Spider-Man continuity is unknown, and similar is the case with the later Andrew Garfield Spider-Man reboot continuity, since the movie franchise was rebooted one more time shortly thereafter. The song playing during Peter's street-dancing scene was "People, Get up, and Drive Your Funky Soul" by James Brown. It is an edited version, though, since the original was nine minutes long and was featured on James Brown's 1988 album Motherlode. This version is two minutes and 24 seconds. Possibly never. It is still unknown at this time when or if it will be released. It is also unknown what the running time would be. Sam Raimi has not made any statements about a Director's Cut, although Columbia has been known to release extended director's cuts on DVD for other titles in the past, including Spider-Man 2.1. However, note that Columbia may no longer have the relevant rights (suchpost-production in addition to distribution) to the Spider-Man cinema franchise,the underlying copyright (or license) has gone from Columbia's control to Sony's and then to Marvel Studios'. The movie studios are unlikely to work out a deal, especially if it wouldn't be mutually profitable. If a Director's Cut home video release is ever made of this movie, it is likely to be called Spider-Man 3.1. Had a "3.1" DVD been made then it would have likely to been released to coincide with the theatrical release of the reboot movie The Amazing Spider-Man (2012) just like when the "2.1" DVD came out to coincide with the theatrical release of Spider-Man 3. But the odds of this had always been slim, given that The Amazing Spider-Man was the start of a new series. Had Spider-Man 4 been released in 2011, the studio probably would have released ita Spider-Man 3.1 then. When the film was completed, the running time was set at 156 minutes on the IMDb page, then later reduced to 139 minutes. Therefore, about 17 minutes was cut from the final film. Note: Richard Roeper & Christy Lemire's review of the film presented the 156-minute running time on screen, but it is no longer available online. On a Sony Pictures discussion board thread archived here There was going to be a fourth movie but the studio eventually scrapped it in favor of a reboot. It was ultimately cancelled coming down to a combination of Sam Raimi and Sony Pictures not agreeing on an antagonist or villain for the film and Raimi hating the concocted storyline for the fourth film. Perhaps there was a way to save "Spider-Man 4"; but justlikely the studio folks tried all they could but to no avail, and it would've cost too much money had they kept on trying to agree on a villain or got more writers to draft the story.
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